The dubbing for the US version is much better and I’m 50/50 on the subtitles with the jokes being much clearer in the US version as well as calling the sect Sun Moon Sect.
#Legend of the swordsman movie manual
The UK version only ever calls the Sunflower Manual the Sacred Manual. I just recently purchased the UK version (now that I live in the UK) and both the subtitles and the English dubbing is different. I originally had the USA version Legend of the Swordsman on VHS and I must have watched it at least 50 times. It has some different music scores and features Jet Li’s original voice. Finally the Taiwanese version, which is dubbed in Mandarin, contains an additional four minutes of rare extended and gory footage that was removed in the United States and Hong Kong releases, bringing the total runtime to 112 minutes.
According to wikipedia the United States version has nine minutes of the original film cut and was released under the title Legend of the Swordsman. The Hong Kong version is in Cantonese and it retains the nine minutes of extended footage and gory violence. There are multiple version of the film each having different cuts or extended versions. Jet Li taking up the lead role (replacing Sam Hui), Rosamund Kwan as Ren Yingying (replacing Sharla Cheung) I’m going to assume to help cash in on the popularity of the first of those two films. Only Fennie Yuen remains as Blue Phoenix. The entire cast as been replaced and the lead roles from those from Once Upon a Time in China. If anything, it is one of many reasons his films have remained endearing to fans and will remain so for generations to come.The Swordsman II or The Legend of the Swordsman, and sometimes referred to as Jet Li’s Sowrdsman II is the second film in the trilogy produced by Tsui Hark. Tarantino may or may not cease his rampant penchant for imagery of feet, but the directorial quirk certainly doesn't take away his accomplishments, and it certainly doesn't detract from the quality of his films. Tarantino also remains influential in the sphere of Hollywood as a whole, even giving Edgar Wright his next film's title, Last Night in Soho. Another project rumored to be in the works is Django/Zorro, a crossover between the titular hero of Django Unchained and the legendary Spanish swordsman Zorro. Tarantino has yet to announce exactly what his tenth and final film is going to be, but speculation exists that Kill Bill: Volume 3 might be his next film-fans believe that it would be a fitting end for his filmmaking legacy.
From his point of view, shots of the actors' feet are an example of "good direction" and something that doesn't need to be taken as seriously as it is by many critics. In the interview, Tarantino explained that the stylistic tendency to include shots of actors' feet is an element of filmmaking that he's borrowed from many other accomplished directors-he directly cites figures like Luis Buñuel, Alfred Hitchcock, and Sofia Coppola as directors that also utilized shots of actors' feet. RELATED: Jason Blum And Ryan Murphy Producing A Stephen King Adaptation For Netflix Tarantino is a two-time Oscar winner in the Original Screenplay category and is often regarded as an influence by many filmmakers working today. 1 & 2, Inglorious Basterds, and Django Unchained (the latter of which being believed to have inspired Red Dead Redemption 2). He has directed some of the best modern films, with his extensive resume including Reservoir Dogs, Pulp Fiction, Kill Bill Vol. Tarantino is a director that doesn't need an introduction. And in an interview with GQ, Quentin Tarantino has finally explained why he includes shots of feet so often in his films.
But the filmmaker has a tendency in his films that fans have been eager to point out throughout his career: a pattern of including shots of the characters' feet-especially the feet of female characters. His films scorch their viewers with fiery cinematic passion, telling bold stories with a tongue-in-cheek tone and skilled handling of film techniques. Quentin Tarantino stands next to Steven Speilberg and Martin Scorcese (and very few others) as one of the most recognizable and influential auteur directors making films in today's Hollywood.
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